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Abaporu (2010)
ALEXANDRE MURY
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Abaporu is a performative photograph created by Alexandre Mury
in 2010, conceived in dialogue with the homonymous painting by Tarsila
do Amaral from 1928. Integrating photography, performance, and self-
representation, the work revisits one of the most emblematic images of
Brazilian art through a contemporary language, displacing it from the
field of painting to that of bodily experience, photography, and critical
reflection on the circulation of images in culture.
In the photograph, the artist presents himself in a performative self-
portrait, establishing a direct relationship with the figure represented in
Tarsila's original work. Rather than literally reproducing its formal
elements, the work operates through approximations, differences, and
displacements, preserving recognizable references while introducing new
questions related to identity, cultural memory, appropriation art,
visual citation, intertextuality, imagetic disappropriation, and the updating
of visual repertoires in Brazilian art.
Produced at the beginning of the 21st century, the work is situated within
the context of contemporary photography and post-conceptual art, dialoguing
simultaneously with the modernist tradition and with current debates on
authorship, reproduction, representation, and the symbolic construction
of cultural heritage. Its elaboration stems from the understanding that
historical images remain active in the collective imagination and can be
continuously reinterpreted by new agents, languages, and contexts.
Over its trajectory, Abaporu has been incorporated into important
Brazilian institutional collections, including the Gilberto Chateaubriand
Collection, held by the Museum of Modern Art of Rio de Janeiro, and the
Paula and Silvio Frota Collection, at the Museum of Photography
Fortaleza. The work is also registered in public documentation and
cataloging systems, constituting a set of references that contribute to its
preservation, study, and circulation.
More than a reinterpretation of a famous image, Abaporu investigates the
ways in which works of art traverse time, are reinterpreted by different
generations, and continue to produce meanings. In this process, the
photograph becomes simultaneously image, document, performance, and
reflection on the history of art itself.
CANONICAL URI: https://id.alexandremury.art/artworks/abaporu-2010/
OFFICIAL HUMAN-READABLE PAGE: https://www.alexandremury.art/obras-de-arte/abaporu
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TECHNICAL DATA:
Title: Abaporu
Artist: Alexandre Mury
Year: 2010
Medium: Digital photography, chromogenic print (C-print)
Genre: Performative self-portrait; performance photography; staged photography
Collections:
Gilberto Chateaubriand Collection / MAM Rio;
Paula and Silvio Frota Collection / Museum of Photography Fortaleza
Object ID (MAM Rio): 30054
Wikidata: Q136803576
© Alexandre Mury
TEXT ALT: Performative photograph titled Abaporu (2010), by
Alexandre Mury. The image presents the artist in a performative self-
portrait with artistic nudity, seated on a small mound of reddish earth
in an open landscape. The body appears in profile, with legs bent and
head resting on the left hand, in a contemplative attitude. In the
background, a blue sky transitioning to yellowish tones meets the
horizon. The sun, positioned between the figure's head and a large
cactus in backlight, produces a star-shaped luminous effect. Dry
branches, leaves, and sparse vegetation compose the landscape. The
photograph establishes an intertextual dialogue with the painting
Abaporu (1928) by Tarsila do Amaral, reinterpreting elements of
Brazilian modernism through contemporary photography, performance,
and self-representation.
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METADATA & ONTOLOGICAL DECLARATION:
https://id.alexandremury.art/artworks/abaporu-2010/metadata.jsonld
ONTOLOGICAL CONCEPTS:
Cultural Autophagy:
https://id.alexandremury.art/concept/cultural-autophagy/
Imagetic Disappropriation:
https://id.alexandremury.art/concept/imagetic-disappropriation/
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AUTHORITY FILES:
Wikidata: Q136803576
MAM Rio: 30054
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© Alexandre Mury
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